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LocationSiegburg
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ProjectAccommodation / hotel, education, religious building, gastronomy, office, administration, parking, interior
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ProcedureCompetition (1st prize, 2012)
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ClientArchbishopric of Cologne
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Architect of recordCaspar Schmitz-Morkramer
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Planning and construction period2013–2017
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Service phases1–9
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Gross floor area25,000 m²
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Project managementWSP Deutschland, Düsseldorf
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Technical building equipmentTEN Ingenieure, Aachen
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Structural engineeringFinck Billen, Köln
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Fire protectionGEHLEN, Düsseldorf
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Landscape architectureFSWLA, Düsseldorf
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Building physicsISRW-Klapdor, Düsseldorf
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SurveyorVermessungsbüro Koch, Stopperich
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Soil surveyorIngenieurbüro Vogt, Bedburg
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Kitchen planningPWK Planungsbüro Weller-Küttner, Rösrath
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Light designLicht Kunst Licht, Bonn
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AwardsArchitizer A+ Award 2020;
International Design Awards 2019;
German Design Award 2018;
mipim Award 2018 (Special Jury Award);
mipim Award 2018 (Best Hotel and Tourism Resort);
Architecture MasterPrize 2018;
Iconic Awards 2017 -
Photo and film documentationHGEsch
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This project is from the joint period of meyerschmitzmorkramer.
Stepping away from worldly affairs and drawing closer to spirituality in the tradition of St. Benedict, Abbot Anno founded the abbey on the Michaelsberg mountain nearly 1,000 years ago. Closely tied to the town of Siegburg, which flourished at its base, the abbey also served various secular purposes, like barracks, a jail, and a military hospital. In 2011, the Benedictines vacated the abbey, making way for the Archdiocese of Cologne’s plans for a new, financially self-sustaining spiritual center. By early 2017, the Catholic Social Institute (KSI) from Bad Honnef relocated its headquarters to the historic abbey, which we renovated and extended, adding another chapter to its history. Today, KSI welcomes around 21,000 guests to around 400 events annually in the conference center, which features a hotel, restaurant, and meeting rooms. Unlike the secluded Benedictines, the community on Michaelsberg is open, embracing fresh connections daily. The contemporary enhancements maintain the timeless character of both the landscape and the architectural monument, which transcends worldly concerns – an ethos already evident in our successful competition proposal.
The abbey towers some 17 meters above the forecourt on mighty medieval retaining walls. Below stands the new Forum building like a little brother, separated by a respectful gap bridged at points by glazed walkways. The Forum appears to grow from the rock itself, clad in light gray dolomite that is roughly split at the base and polished smooth above. Its funnel-shaped entrance is carved into the massif. To heighten the sense of arrival, visitors ascend the final meters barrier-free by glass elevator or open staircase. They emerge in a glass pavilion with sweeping views that suddenly juxtapose the abbey with distant vistas, creating a striking sense of proximity. The atrium serves as an interface between the Forum and the monastery, delineating communal and private realms. Surrounding the Church of St. Michael on three sides, the monastery offers 120 guest rooms across three floors, in addition to seminar spaces. Individually decorated with custom furniture and a friendly, functional color palette, the single and double rooms feature intimate sitting nooks. The cloister and green courtyard invite contemplative lingering. A refined ambiance pervades through restrained materiality – oak wood and natural stone – in three colors: midnight blue, oxblood red, and mustard yellow.
Die Nutzungen des Forums sind an der Gestaltung der Fassade ablesbar. Der steinerne Sockel, in dem eine zweigeschossige Garage verborgen ist, bildet eine solide Basis, während der gläserne Pavillon zur Krone des Gebäudes wird. Kein Ornament, alles ist klar und kantig, die Aussicht ist frei. Die darunter liegenden Ebene, in der Ansicht ein steinernes Band, mit einer rhythmischen Gliederung aus großen liegenden Panoramafenstern und schmalen stehenden Öffnungen, bilden mit dem Restaurant und vier Tagungsräumen das Herzstück des Forums. Die Verwaltung nutzt die darunterliegende Etage, in der Ansicht ein gläsernes Band. Auch hier klingt der Grundton des harmonischen Materialkanons aus hellem Holz und Stein in jedem Raum, in jeder Ansicht mit. Hier bleibt man bei der Sache, bleibt bei sich. Discretio, wie der heilige Benedict sie forderte, lässt sich also immer noch auf diesen Ort übertragen, in diesem Fall meint sie die Fähigkeit zu differenzieren, dafür ist ein gewisser Abstand – in der Höhe oder hinter dicken Mauern – oft sehr hilfreich.
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Caspar Schmitz-Morkramer
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Sonja Gallo
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Tobias Goße
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Annegret Kufferath
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Julia Dobritz
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Lars Göpfert
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Fernando González Cardero
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Beate Groß
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Eike Heidelberg
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Roland Hinz
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Katja Holland
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Jan Jermer-Urban
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Klaus Kirchner
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Marcus Leinwand
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Ingwer Luck
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Kristina Rhiemeier
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Milena Trzcinska
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Jiqing Zhang